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I first became truly aware of Electroacoustic Composition in the fall of 2012 and I immediately fell in love with the endless supply of sounds and textures available to the modern composer.
1000 Steps to Nowhere (2017) for Solo Voice and Effects SZM104
Wild Forgery (2017) SZM103 for Low Brass Quartet (2 Euph, 2 Tuba) and Effects
I Find You Slightly Amusing for String Orchestra and Effects (2016) SZM093
Mental Breakdown for Percussion Ensemble (2016) SZM092